Deep in the Appalachian hollers, where fog clings to rhododendron thickets and black creeks run cold beneath mossy bridges, Luna gathers around a kerosene lamp and tells the stories that hollow out the land itself. 'Hollow Country' is an anthology of self-contained tales rooted in the geography of the American South — abandoned mining camps, half-sunken graveyards, crossroads that only appear during eclipses, and families who've been keeping secrets since before the railroad came through. Each episode stands alone, but every story shares a quiet, inevitable dread: the sense that the mountains are older than memory, and not everything buried stays buried. From a woman who finds her own name carved on a tree in a hollow she's never visited, to a game warden who uncovers a poacher's camp where the kills were never animals, these are slow-burn horror stories told close to the mic, with no jump scares and no easy exits. Luna's voice is the only sound you'll hear — that, and maybe the creak of a floorboard overhead, or the trickle of water where no water should be. The hollow is listening. The question is whether you are.

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